節目表

音樂《臺灣狂想曲》高雄市國樂團音樂會/ “Taiwan Rhapsody “Kaohsiung Chinese Orchestra Concert

演出內容介紹

一場穿越記憶、土地與想像的國樂之旅，當傳統遇見當代，當臺灣記憶化為聲音，高雄市國樂團在指揮江振豪的帶領下，邀請觀眾走進一場色彩斑斕、情感飽滿的音樂會。江振豪畢業於丹麥皇家音樂學院，長期活躍於歐洲交響體系，曾指揮哥本哈根愛樂、比利時列日皇家愛樂、挪威斯塔萬格交響樂團等多個歐洲重要樂團，並於挪威、義大利、芬蘭等國際音樂節中深度參與當代音樂與大型合奏訓練。其指揮風格融合歐洲嚴謹的結構思維與高度情感張力，並特別關注新作品的首演與跨文化音樂語彙的建構。本場演出集結團內三位實力派演奏家——大阮陳渝玹、揚琴郭肜肜與大提琴許婉柔，透過協奏曲與大型合奏作品，展現國樂在當代舞台上不斷延伸的可能性。

音樂會由盧亮輝《祭樂歡舞》揭開序幕，作品以祭儀音樂為靈感，在莊嚴與奔放之間交織出充滿生命力的節奏動能。馮國峻《鐘聲隨想》大阮協奏曲以深沉渾厚的音色描繪層層回響的鐘聲意象，展現大阮磅礡而細膩的表現力；《藍色的思念》是以鄧麗君多首經典歌曲為素材，透過關迺忠細膩而富層次的編曲手法，將熟悉的旋律轉化為國樂合奏的抒情語彙。音樂在歌唱性旋律與豐富配器之間流轉，既保留原曲溫柔婉約的情感核心，也賦予其新的音色層次與空間感。

下半場亮點接連登場。伍卓賢《光與海》臺灣首演，以流動音響描繪光影與海浪交織的壯闊畫面；卓綺柔《百里香路》揚琴協奏曲在節奏與旋律之間自由穿梭，展現揚琴明亮靈動的音色魅力。法比安．穆勒《臺灣狂想曲》融合〈丟丟銅〉與〈望春風〉等熟悉旋律，在大提琴與國樂團的對話中激盪出嶄新的臺灣聲音想像，最終以劉長遠《狂歡之舞》熱烈收尾，為觀眾留下深刻而振奮的聽覺記憶。

A musical journey through memory, land, and imagination, this concert invites audiences to experience how tradition meets the contemporary, and how Taiwanese memories are transformed into sound. Under the baton of conductor CHIANG Chen-hao, the Kaohsiung Chinese Orchestra presents a richly colored and emotionally charged program. CHIANG Chen-hao graduated from the Royal Danish Academy of Music and has been actively engaged in the European symphonic scene for many years. He has conducted numerous major European orchestras, including the Copenhagen Phil, the Orchestre Philharmonique Royal de Liège, and the Stavanger Symphony Orchestra. He has also participated extensively in international music festivals in Norway, Italy, and Finland, with a particular focus on contemporary music and large-scale ensemble training.

His conducting style combines the rigorous structural approach of the European tradition with a high degree of emotional intensity, and he is especially committed to the premiere of new works and the development of cross-cultural musical languages.

The concert brings together three outstanding musicians from the orchestra—the Daruan soloist CHEN Yu-hsuan, Yangqin soloist KUO Tsung-tsung, and cellist HSU Wan-jou—who, through concertos and large-scale ensemble works, reveal the ever-expanding possibilities of Chinese music on the modern stage.

The program opens with Lo Leung-Fai’s Harvest Festival Dance, a work inspired by ceremonial music, weaving solemnity and exuberance into rhythms brimming with vital energy. Fung Kwok-Chun’s Bell Reverie for Daruan concerto uses the instrument’s deep and resonant timbre to depict layers of echoing bells, showcasing the Daruan’s grandeur and subtle expressiveness. Blue Reminiscence from Teresa Teng’s Suite draws on several classic songs by Teresa Teng as its musical source. Through Guan Nai-zhong’s refined and richly layered orchestration, these familiar melodies are transformed into a lyrical language for Chinese orchestra. The music flows between singing melodic lines and lush instrumentation, preserving the gentle and tender emotional core of the original songs while endowing them with new timbral dimensions and a heightened sense of space.

Highlights continue in the second half. Ng Cheuk- Yin’s Light and Sea, receiving its Taiwan premiere, paints a magnificent soundscape of shifting light and rolling waves through flowing sonorities. Cho Chi-Jou’s Tour of Pilgrimage, a yangqin concerto, moves freely between rhythm and melody, displaying the instrument’s bright and agile tonal character. Fabian Müller’s Taiwan Rhapsody blends familiar tunes such as Diu-Diu-Tong and Craving for the Spring Wind, creating a fresh sonic imagination of Taiwan through the dialogue between cello and Chinese orchestra. The concert concludes with Liu Chang-yuan’s Carnival Dance, bringing the evening to an exhilarating close and leaving the audience with a vivid and uplifting auditory memory.

演出曲目

盧亮輝：《祭樂歡舞》

馮國峻：《鐘聲隨想》大阮與國樂團

關廼忠編曲：《藍色的思念－鄧麗君精曲聯奏》

伍卓賢：《光與海》(臺灣首演)

卓綺柔：《百里香路》揚琴協奏曲

法比安.穆勒(江賜良移植)：《臺灣狂想曲》大提琴與國樂團

第一樂章〈丟丟銅〉&〈望春風〉

劉長遠：《狂歡之舞》